Home / News Asylum / Typical tunes from legendary artists carry on in works of musicians correct this second – Burlington County Occasions

Typical tunes from legendary artists carry on in works of musicians correct this second – Burlington County Occasions

“No matter youth has heard the tune and cherished it however didn’t perceive the place that obtained proper right here from, I’m certain their dad and mom knew the place it obtained proper right here from. Their grandparents knew the place it obtained proper right here from. That’s dwelling music.”

The above quote was talked about by an artist named Kent Jones as he be taught the lyrics his platinum hit, “Don’t Mind.” In case you hearken the pre-chorus that tune after which play the tune “Practice What You Preach” by Barry White, you’ll see that Jones took a whole lot of inspiration from White.

The refrain White’s 1994 hit and the pre-chorus on Kent Jones’ doc are just about the an similar. Lyrically, they’re a bit fully fully completely different, however by the use of pitch, they protect the an similar, sans for one or two strains.

And it’s not prefer it’s a challenge solely Kent Jones has executed. A musician named D.R.A.M. blew up in 2016, releasing an album referred as “Massive Toddler D.R.A.M.” with a bunch of well-performing singles.


D.R.A.M.’s album “Massive Toddler D.R.A.M.” decisions the tune “Money Machine,” which samples Ray Charles’ “Hallelujah I Love Her So.”

We’ll give consideration the sixth monitor on the album, “Cash Machine.” It’s going to take a extra attentive ear, however the piano riff that makes up an unlimited a part of the instrumental was sampled from The Genius of Soul himself, the late Ray Charles.

In 1957, Charles launched his self-titled debut by the use of Atlantic Knowledge (which is paradoxically the an similar label D.R.A.M. is signed ), with the eighth monitor being “Hallelujah I Love Her So.” D.R.A.M. would come alongside 59 years later, flip the piano pattern all one of the best ways down a decrease key, add some deeper bass, some cash counter noises, his bouncy vocals, and voila! He had the final word phrase currency-collecting composition!

I at all times take note being instructed by music academics that music is an artwork work sort that transcends generations, and I under no circumstances actually took it coronary coronary coronary heart as quickly as I used be youthful.

Now that I’m seeing hits from yesterday’s legends getting re-purposed for a mannequin new wave of hit-makers, I lastly see what all of my academics meant.

I do ponder that music as an artwork work sort will not be going die. Individuals who actually need be musicians, and, notion me, there are lots of them, will at all times be impressed by what they grew up on. They’ll develop as lots as make their very private compositions primarily based on what they heard as youngsters, and youth of that point will hear it, and the cycle merely repeats.

Individuals could criticize a whole lot of correct this second’s music, however I think about Kent Jones is acceptable. Artists of correct this second have gotten extra various and taking a whole lot of inspiration from the sooner, and I don’t suppose music has ever felt extra alive.

Fast disclaimer: Like Witt Lowry, the artist I wrote about in my final article, D.R.A.M. and Kent Jones don’t have any qualms about their use of expletives. I do know some folks aren’t actually followers of that sort of challenge, so I merely suppose it’d be appropriate present an categorical language warning.

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